Lens: f2, 5 cm Zeiss Sonnar, iris diaphragm to f22. Bayonet mount. Shutter: Metal vertically running focal-plane, speeds 1/2 - 1/1250, B. 1 second could be obtained by releasing the delayed action with the shutter set to B. The speeds are varied by a combination of changing the slit width and introducing delaying cams and gears. Construction: Leather covered metal body.
Description and information on Contax II its history and how it works. The camera serial number was later placed on the accessory shoe. There were minor.
Format: 36, 24 x 36 mm exposures on 35 mm cine film held in special or standard cassettes. Two cassettes can be used or one with the film being re-wound. Could also be used with Contax Day Light loading spools having paper leaders. Focusing: Helical, scale to 3 feet.
Attributes: Coupled swing-wedge rangefinder. Always kabhi kabhi movie download. Central double image, gilded surfaces to give colour difference. Direct-vision (lens/lens) view-finder. Film advance by sprocket wheel. Auto-stop on film advance coupled to shutter. Double and blank exposure prevention. Film advance tensions the shutter.
Exposure counter. Serial Number: B21882 (c. With: • f4.5, 3.5 cm Orthometer, iris diaphragm to f22. Helical focusing to 0.9 m. Depth-of-field scale.
Plastic rear cap and suede bag. 2392289 (1938). • f4, 8.5 cm Triotar, iris diaphragm to f32. Helical focusing to 4 feet.
Depth-of-field scale. Front and rear caps. • f4, 13.5 cm Sonnar, iris diaphragm to f22.
Helical focusing to 1.5 m. Depth-of-field scale.
Front and rear caps. • f6.3, 18 cm Tele-Tessar, iris diaphragm to f45. Helical focusing to 2.5 m. Depth-of-field scale. Version without 'K' on the bezel. Front and rear caps. • Universal Finder.
For: 3.5, 5, 8.5, 13.5, 18 cm lenses. In plastic case. • Albada Finder for 5 and 13.5 cm lenses.
• Direct Vision Finder for 3.5 cm lenses. • 42 mm push-on mount filters: G1, yellow, in Wallace Heaton box; G2, yellow; VG6, graduated filter; GR55, Yellow/green in brown case, box; Light red, in brown case. • Bernotar Polarizing filter, 42 mm push-on mount. 42 mm push-on fitting. • Contameter. Comprises: Rangefinder; 3 view-finder wedges; 3 close-up lenses, 20, 30, 50.
• Plate Back Adapter. For 3 x 4.5 cm plates. With two slides.
• Focusing Screen. For use with the Plate Back Adapter. • Zeiss Cable Release. • Three cassettes, in black plastic cases. • Panchrom Contax Spule, empty tin with Zeiss-Ikon label.
• Film Cutting Template. • Universal Outfit Case. Space for: camera, four cassettes in containers, 13.5 cm lens, 3.5 cm lens, lens hood, two 42 mm diameter filters, Universal finder, Albada finder. • Lens cap for 5 cm lens. Ever-ready case. Neck strap to attach to camera.
• Box for camera with lens, a compartment in the lid holds a neck strap. • Instruction book. Depth of Focus Tables for 2' lenses. Contax photography, 3rd ed. • Zeiss small tripod. • Lilliput Printing Frame, two examples. After the Contax I Zeiss-Ikon needed to bring to market a camera that was easier to use and more aesthetically pleasing.
The outcome was the Contax II and III. These were new designs that inherited the Contax I lens mount and other accessories Unfortunately they also inherited the vertically running focal-plane shutter composed of metal slats. With an f2 lens the camera cost £50.10.0, the Contax I remained available priced at £41.0.0. An upgrade service was offered where a model II was converted into a model III. The Contax II appeared in 1936 and remained in production until the middle of the war. Apart from the general look of the camera, improvements were the placement of the film advance knob on the top plate, delayed action was added, combined viewfinder/rangefinder window and swing-wedge rangefinder optics.
The grouping of shutter speeds was abandoned in favour of a single dial showing all speeds. The main control knob on the top plate advanced the film and set the shutter, it also housed the shutter speed setting ring and the shutter release. The Contax I had been criticised for introducing many changes over its life time, the Contax II was much more stable with just a few differences: • Shutter speeds on early versions were 1/100 and 1/200 rather than 1/125 and 1/250. • Knurling on the film advance knob was at first vertical then square. • The camera serial number was later placed on the accessory shoe. • There were minor differences in engraving.
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